Fruma Sarah!
Fruma Sarah!
Fruma Sarah Enters
Fruma Sarah Enters
Fruma Sarah and the Fatal Wedding
Fruma Sarah and the Fatal Wedding
Fruma Sarah and the Long Scream
Fruma Sarah and the Long Scream
Anatevka Burns
Anatevka Burns
Fiddler Archive (as Projected)
Fiddler Archive (as Projected)
Alaska Installation: Boredom
Alaska Installation: Boredom
Alaska Installation: Wonder
Alaska Installation: Wonder
Alaska Installation: Glitches
Alaska Installation: Glitches
Rain Raw Footage
Rain Raw Footage
Rain St Elmo Colorize No Wind
Rain St Elmo Colorize No Wind
Rain and Lightning In Action
Rain and Lightning In Action
Rain No Wind Blur 4 More Purple
Rain No Wind Blur 4 More Purple
Caesar Responds to the Soothsayer
Caesar Responds to the Soothsayer
Fruma Sarah!
Fruma Sarah!Fruma Sarah attacks Tzeitel. A still from the a stop motion sequence. From Sitar Arts Center's production of Fiddler on the Roof in August of 2017
Fruma Sarah EntersWhen Fruma Sarah enters, the ghostly outline of her appears over the assembled ghostly villagers in Tevye and Golde's bedroom. From Sitar Arts Center's 2017 production of Fiddler on the Roof
Fruma Sarah and the Fatal WeddingWe get up close and personal with Fruma Sarah as she begins to describe, in no uncertain terms, what with happen to Tevye and Golde's daughter if she marries Lazar Wolf. From Sitar Arts Center's 2017 production of Fiddler on the Roof
Fruma Sarah and the Long ScreamFruma Sarah demonstrates what she will do to Tzeitel on Tevye. From Sitar Arts Center's 2017 production of Fiddler on the Roof
Anatevka BurnsA stylized rendering of the flames consuming Anatevka as the villagers leave. Based on the photo that inspire the painted drop. From Sitar Arts Center's 2017 production of Fiddler on the Roof
Fiddler Archive (as Projected)An assembly of each of the projection cues in Sitar Arts Center's 2017 production of Fiddler on the Roof, including a representation of the village burning at the end of the play, and each element of "The Dream" from the shimmer indicating the dimmer, the shimmer shifting color, Fruma Sarah's entrance, her threats, and choking Tevya to her exit. 
Alaska Installation: BoredomDashboard footage from a GoPro and iPhone, part of an installation to  create a screen on a car to make it feel like it is on the journey I took to Alaska. This variant emphasizes the boredom and repetition of a 4000 mile roadtrip 1/3
Alaska Installation: WonderDashboard footage from a GoPro and iPhone, part of an installation to  create a screen on a car to make it feel like it is on the journey I took to Alaska. This variant tries to re-create the feelings of awe and wonder I experienced on the journey 2/3
Alaska Installation: GlitchesDashboard footage from a GoPro and iPhone, part of an installation to  create a screen on a car to make it feel like it is on the journey I took to Alaska. This variant emphasizes glitches in memory and technology 3/3
Rain Raw FootageGlitchy footage that I loved from documenting another project became the raw material for creating  hyper-realistic rain for the freaky storm at the top of Act II in Caesar adapted by Anita Maynard-Losh and performed at Georgetown University
Rain St Elmo Colorize No WindOne of the last versions of this St. Elmo infused rain storm. The green dominated this composition too much to make the stage for Caesar when it came time to open the show.
Rain and Lightning In ActionHow the rain and lightning cues landed in the first dress rehearsal of Caesar, adapted by Anita Maynard-Losh and performed at Georgetown University. 
Rain No Wind Blur 4 More PurpleThe final version of the freaky rain, it was much heavier on the purple, more of an accent on the scene than the green which nearly overwhelmed the lighting design. 
Caesar Responds to the SoothsayerCaesar receives a warning about the Ides of March. Director Anita Maynard-Losh really wanted the audience to see Caesar make eye contact with the camera and with them when it was broadcast back at them on the set to reflect Caesar's commitment to his own performance.
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